Gorillaz [Explicit]

Gorillaz [Explicit]
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Amazon Sales Rank: #386 in Digital Music Album Published on: 2001-06-19 Released on: 2001-06-19 Running time: 4145 seconds

Awesome…
I’m a huge Blur fan. That’s what first lead me to this cd. I’ve followed everything they’ve done, be it Graham Coxon’s solo stuff, or Damon Albarn’s soundtrack talents for “Ravenous.”

Then, the icing on the cake: Kid Koala, turntablist extraordinaire. If you are at all into underground (i.e., true) hip-hop, you’ve probably already come across Deltron 3030’s release featuring Kid Koala and Del the Funky Homosapien, along with about 200 other guest appearances. If not, check it out at once. And for a TRUE showcase of Kid Koala’s talents, check out his solo cd on the Ninja Tune record label, “Carpal Tunnel Syndrome.” It is beyond awesome, and simply amazing.

This, giving its background, could not miss. It doesn’t. From start to finish, it is incredible. I remember first seeing the video for “Clint Eastwood” on MTV2. If the animation and humor of these guys don’t get you, the music certainly will. Tripped out music with cool, almost indifferent, vocals. The beats, and samples are, as always with the Kid, without fault.

Definitely give this one a go. And, as a special bonus, the cd comes as an enhanced cd, with some very cool animation, and even better wallpaper and screensaver additions. With this cd, you will be given the key to Murdoc’s Winnebago. Next stop, figure out how to use it to get in.

Enjoy.

The future of modern music and what it does to your stomach.
I’m leaning against the wall of the bathroom wondering if I’m gonna throw up.

It’s too much.

In order to write this little review I tried to grapple with this album, I tried to swallow it whole. I tried to digest it and I hurt myself. This album is too rich and too multidepthed to allow a simple synopsis. It’s too complex to digest quickly. There are too many styles and too many layers. This is a dizzying collection of endless experimentation and surgically brilliant production. And it won’t stop.

It’s sheik and smooth like the models on the covers of magazines you don’t buy but can’t help staring at. It’s funny too. It’s funny in a covert coy way. Like a kid’s tv show that secretly pokes fun at adult themes like sex and politics. It’s funny enough to make you laugh. But just as your chest swells for a little cute giggle you catch the charred death scent of a cigarette and you can almost taste the burn of cheap whisky in the back of your throat: That’s the dark brooding shadows this album casts as you spin it so idly.

And that’s why my stomach and mind threaten to rebel (and expel.) How can you devour something with such a range of tastes? You can’t eat something salty and sour, spicy and sweat, hot and cold… Maybe a few of these combinations are delectable but the whole array? It’d kill you… you’d choke…

Thank god the album doesn’t force its schizophrenic characteristics on you all at once.

Instead the Gorillaz deliver these tastes in subtle sly hints and nudges. And most people would be utterly ignorant of the Band’s brilliance if they did not provide the LP with multiple listens. It requires slow and careful consumption. Take your time. Don’t try to stuff your face. You’ll hardly know what your eating and surely be left uneasy.

Let your mind nibble on the acoustic guitars driving delicately before you tackle the pounding funky bass lines. And only then try to sample the electronic pops and pings. And if you can stomach all that and still keep your composure while adding the synth enhanced atmosphere of the keyboards ONLY THEN try to attack the vocal diversity that this album radiates with.

And if you can manage all that, go ahead and try the next song- cause its nothing like the last.

Underground hip hop savvy moments bob and nod beside blues and rock elements. All of which seem content to share elbow space with electronic and dub theatrics. Pop cues abound in clever debuts threatening cheapen the albums depth- but they are a ploy. They are lures for the unwary, daring you to grow complacent and assume your hearing something you’ve heard before. BUT these touches are a tease- almost like the masterminds of this album want to remind you that they COULD make hopelessly hip and catchy songs like “Clint Eastwood” all day, but then you’d miss the noir hauntings that inhabit the album’s seedy underbelly in tracks like “New Genious (Brother)”.

The Gorillaz’s S/T first release screams and croons and beeps and blurts. It hums and bumps, drives and thunders. It is inspired and eons ahead of its time. This album either came from the future or is a masterpiece that will help shape the future.

Me? I’m out of the bathroom and adhered to my headphones. Don’t be a fool. Take your time, drink plenty of water and enjoy one of the best albums of 2001, one bite at a time.

Great concept album with catchy music.
Conglomerate musical groups made from established talents making concept albums usually sound plodding and indulgent, yet this album is the complete opposite. The Gorillaz are an intense combination of musical styles and animation/illustration art that creates a multimedia buffet for the senses. Quirky, enjoyable music meanderings encompass rap. provided by Del tha Funky Homo Sapien, indie exotica from Miho Hattori, and mainstream pop kookiness issuing throughout from Damon Albarn of Blur. At first listen, the more memorable songs are ‘Clint Eastwood’, ‘Rock The House’ , ‘19-2000′ and ‘Tomorrow Comes Today’ and on further listening, all the peronal oddity of the group becomes obvious through songs like the manic ‘Punk’ and horror revive of ‘M1 A1′ which starts with the opening lines of the classic gore film ‘Day of the Dead’. This debut album is absolutely brilliant listening, and accomodates long hours of repeated listening; music to relax to, music to work by, music to dance with. Albarn’s London roomate Jamie Hewlitt provides a comic book fascade for the group supplying an animation art style that blankets the album and insert, and adeptly adorns their music videos, enhancing the music. The group also has a website which combines music, art, sound, information and oddities making Gorillaz the best multimedia experience going in this new millenium. In a time of rather highly hyped over heated media sensation boy/girl bands, repetitive rap acts and droning inexpressive guitar bands, the Gorillaz are a fresh, light hearted alternative that haven’t nearly begun to wear out a very warm welcome.

Written by admin on October 26th, 2009 with no comments.
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New Maps of Hell Deluxe Version

New Maps of Hell Deluxe Version
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Amazon Sales Rank: #168 in Digital Music Album Published on: 2008-06-02 Released on: 2008-07-08 Running time: 3452 seconds

Well Worth The Money
First off, a lot of folks have been complaining about a deluxe edition having been released by Epitaph. They believe Epitaph is turning into just another big name record company. Let me set the record straight by saying these people are simply those who have the album and can’t justify dishing out another 20 bucks for the deluxe edition. And as far as I’m concerned, Epitaph is offering the fan base a great thing here.

I’m writing this review for those that have already purchased New Maps of Hell as I also purchased the album upon its release. But I also purchased the deluxe edition and I have to say… It’s well worth the money.

All of the original songs are still intact on the CD as they were in the original release. In addition are seven acoustic tracks. Personally, I didn’t buy it for those as I don’t think the Bad Religion sound really fits well in an acoustic setting. But Greg has done some solo acoustic work and I know he’s good at it. Time will tell whether I get into them.

What really stands out in my opinion is the DVD. If you have Bad Religion’s Live at The Palladium, then you’ll understand that a concert like that will cost around 20 bucks. Well this is no different. There’s an entire concert filmed at the House of Blues in Vegas on this DVD. It consists of 22 songs and the production is actually quite good. It consists of old favorites like Modern Man, Generator, No Control, I want to Conquer the World, American Jesus, and a slew of others including tracks off of New Maps of Hell. It may not be as energetic as past concerts, but it’s done very well.

There’s also a documentary on the DVD of how Brett and Greg recorded the acoustic tracks. I don’t much care for that, but others might. I may get into it eventually as the acoustic tracks may eventually grow on me after a few listens as I mentioned earlier.

In addition to the concert and documentary, there are two videos (New Dark Ages and Honest Goodbye) from the new album and footage to the making of New Maps of Hell. These are nice little treats as I’ve always loved Bad Religions videos. It’s not like you’re going to see these on MTV or VH1. Do they even play music anymore?

If all of this isn’t enough, how about two double-sided posters you can hang on your refrigerator or walls? I’ve already displayed my love for the band and it shows every time someone walks over to the fridge to grab a beer.

And what’s a Bad Religion album without the lyrics. It comes with an updated lyric booklet but with Brett and Greg’s scratch marks throughout on separate pages. Much like what Suffer looks like, but also with computer-printed lyrics.

So in closing, please don’t listen to the whiny little self-righteous kids who are complaining that they released a deluxe addition to New Maps of Hell and that it’s just to increase sales. For those that don’t have the album yet, they’re getting a killer deal. Those that do have the album are still getting a great deal with all of the extra goodies. As far as I’m concerned, if they whine about it and refuse to buy it, then they’re not true Bad Religion fans. And if they lack the money and actually want it… Well… They’re just whining because their jealous.

Heaven in “Hell.”
I did not think the original “New Maps of Hell” was a terrific CD. There were perhaps three songs that I feel are really strong tracks. But this, the deluxe version, is a fantastic value. I would have paid $20 just for the acoustic songs, which are just excellent. I hope more acoustic versions of Bad Religion songs are forthcoming. I love the punkier and rockier stuff a lot, but after a while, it’s a little like Taco Bell–you know they’re only working with about four ingredients, and no matter how many combinations you put the ingredients together in, the taste is going to be largely the same. With the acoustic stuff, a lot of nuance and subtlety emerges, and the brilliance of the lyrics shines through better. And the acoustic guitar work on “Sorrow” was a revelation. A band this musically capable shouldn’t restrict themselves to a narrow style, any more than a truly talented chef should be making chalupas. A very impressive work, which restores my faith in the band’s direction. Incidentally, someone commented that if the concert footage included in this package is representative, then Bad Religion must not be a very good live band. It’s impossible to say where questions of taste are concerned, but I think Bad Religion is a wondeful live act. I’ve seen them four times so far and they put on a hell of a show. If I have a complaint at all it’s that they could do with a little more variety. I realize they might be suffering from the “Misery” trap–give the fans what they want, or they’ll chop off your foot and hold you hostage. But even hard-moshing punks can be won over to a tasty little anthem or ballad or folk ditty if it’s used judiciously as a change of pace. Graffin put out a CD of folk songs a while back, and while I thought most of them were average or barely above, there were a couple of stand-outs. I would love to hear a little more of that at a Bad Religion concert–there’d still be plenty of time for the high-energy tear-em-ups that made the band famous.

Adam’s atoms remain
If you bought the import version of “New Maps of Hell” last year, like I did, you heard two extra acoustic tracks, “Sorrow” and “God Song,” and they sounded great, but they left you wanting more. This year, we get a whole EP of acoustic tracks, plus a concert DVD, plus some behind the scenes stuff.

“New Maps of Hell,” itself, was a little disappointing. See my separate review of it from last year. Basically, it was dragged down by horrible production that drowned out Greg Graffin’s voice and over-fuzzed all the guitars. On the behind the scenes footage on the DVD, the reason why this happened is revealed.

Acoustic Tracks:
18. “Won’t Somebody” 8/10: I like this song, and of all the new acoustic tracks, it’s probably the one that will grow on me the most.
19. “Adam’s Atoms” 7/10: The idea is good, and the chorus is catchy, but it sounds like it just wasn’t ready to be a full song yet.
20. “Sorrow” 8/10: Not the same version as the one on the import version of “New Maps of Hell,” and it’s a little improved over that one. Still, this isn’t the best Bad Religion song to make into an acoustic track; the regular version is mellow enough without it.
21. “God Song” 10/10: This is done very well. You have to hear it to get it, but this sounds so much better than “God Song” on “Against the Grain.” The slowed-down version gives it the power it always deserved.
22. “Dearly Beloved” 10+/10: Wow. Wow. Wow. The difference between this version and the album version is incredible. In my review last year, I said the album version was killed by the horrible production, and this perfectly clear acoustic version proves that “Dearly Beloved” really is a great song when it’s given the right approach.
23. “Chronophobia” 8/10: This sounds a lot like a song off “American Lesion” (a spectacular album, by the way). The verses are great, but the chorus is lacking, and the song is far too short. Like “Adam’s Atoms,” this one just wasn’t ready.
24. “Skyscraper” 10/10: I would say this is about equal in greatness to the original “Skyscraper,” but considering that the original was arguably the best song on “Recipe for Hate,” that’s pretty good. No silence and “Stealth” after this version, and that’s a good thing.

DVD:
Concert 9/10:
Hey, it’s a free Bad Religion concert. You can’t argue with that, but if this concert is indicative of all their concerts, they’re just not a very good live band. If you have “Tested,” you would know they’re a little hit or miss depending on the concert.

Behind the Scenes Footage 8/10:
The mystery of “New Maps of Hell” is solved, and it’s great to see Greg and Brett playing together, but I would’ve liked to have seen more.

Overall, I recommend this version over the regular version of “New Maps of Hell,” and even if you have the regular version, you should buy this Deluxe Edition. You can live without the DVD, but the bonus tracks, especially “Dearly Beloved,” make this a worthwhile purchase.

Written by admin on October 26th, 2009 with no comments.
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Dragostea Din Tei (Original Romanian Version)

Dragostea Din Tei (Original Romanian Version)
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Amazon Sales Rank: #790 in Digital Music Track Published on: 2000-06-21 Released on: 2009-07-21 Running time: 213 seconds

The original version!!! This rocks!
We crank this up to top volume and it makes us laugh. It’s better in the original Romanian than the English version.

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Falling Into Consciousness

Falling Into Consciousness
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Released on: 2010-04-01 Running time: 396 seconds

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Discover What Wireless Home Theater System Is

Since the development of the home theater system itself, the wireless home theater system has been the greatest thing. Wireless home theater system is the solution to make you save from electrical stream and make your home theater room neat from wires and cables that may be layered in the back of the media center and running throughout the room while connecting all the speakers. New Speakers have been had by some of the new Magnolia lines in stores that are built in the wall or ceilings directly which is one way to get rid of the lines and cords all over the floor.

There are brands that have good wireless system available in the market such Sony, Yamaha, etc. Digital sound projector by Yamaha has an amp and a multiple speaker system with an excellent surround sound and has the ability to add a microphone to automatically set up the room. That’s why some reviewers say that Yamaha is better than the other brands.

Another system is the RCA wireless home theater system. The main control unit is DVD player that hook into the television. For the wireless rear speakers, the subwoofer duals with a normal center and side speakers around the television as transmitter. The two rear speakers plug separately into the receiver once the receiver is plugged into the opposite of the room.
Wireless home theater system is great tool to have entertained you within home theater room. It’s very useful. Without a ton of wire spread from speaker to speaker, having a large home theater option to come to and relax in just makes the hectic live that much easier to deal with wireless home theater systems.

Wireless home theater system is the only and the best way to go for many reasons if you are considering the purchase of a home theater system for your home. It just doesn’t make sense to willingly go with all those wires with all the choices able to be made today with home theaters. So consider the advantages of wireless home theater system if you are thinking about this option for your home.

One of the advantages of the wireless is it does not make holes in your walls. This would be even more advantageous to everyone involved if you think about the advantages of wireless when working with the installation of your home theater. We will also not have to worry finding long enough cables or drag wires through our home’s ceiling or wall.

A wireless home theater system is just plain cool to use, we can work with AND use when it all comes down to it. Anything involved with is considered an investment as much as the home theater system costs. Than with the wired ones, installation of wireless home theater system is much faster. Without requesting any assistance pf an electrician we could easily do the work our self. Like a remote control would in a wireless situation, a home theater works simply. For many options including the speakers and other sound related elements, of course, this can work.

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Written by admin on October 26th, 2009 with no comments.
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Where to find the honest penis pill reviews

The arena of promoting promotion or marketing commutation is so sophisticated today, that folk find it difficult to distinguish the good from the bad.  So you see that so many men are confused about penis enlargement pills, in spite of the undeniable fact that they read lots of penis pill reviews.

So a key challenge remains to today’s clients.  They should figure out which pills indeed deliver excellent value for your money.  This text is going to try to show you how to look beyond classic sales pages.

Just in the way, any scientific comparison study would do, this research also kept into consideration the major factors like- results, complications, total cost/price, average buyer ratings, and of course, the elements/ingredients in those male enhancement pills.
Actually, the study system was some of the best ever known in comparative studies of commercially marketed clinical products.

If you personally use these 3 parameters, it might be easy for you as well to distinguish the bad from the good.  Amazingly, just a few got 80% score, while the others scored equal or below fifty percent.  Here are the parameters-

Consumer/customer reviews : ‘The customer is always right’, right?  This is true in the majority of the cases.  Irrespective of what the marketers say, you cannot get the buyers fooled for too long.  So it does matter how real folks found these tablets.

So here’s the parameterwhen 7 out of ten patrons say that it delivers what was guaranteed, then you know this one is genuine product.  For most of the poor products, you can find only 2 out of ten buyers pronouncing that it works, if in the slightest.  Advertising impacts : A good product and its manufactures typically appear in major advertising medias.  On the other hand, poor products go for less expensive channels to publicize their offerings.

A real product will dare to announce its natural herbs, safety and long-term viabilities.  When they do this, they’re really hazarding their goodwill.  So you can generally count on them, or on the penis pill reviews that speak in favor of them. Ropa de Moda

And finally, inexpensive is not necessarily good – regardless of how engaging it sounds in penis pill reviews.  You cannot afford to risk your sexual health.  It’s an art to check penis pill reviews. Coffee maker
designer furniture

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Hold On Loosely

Hold On Loosely
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Amazon Sales Rank: #3306 in Digital Music Track Published on: 2003-04-29 Released on: 2003-04-29 Running time: 279 seconds

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We Like To Party

We Like To Party
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Released on: 2010-01-19 Running time: 217 seconds

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The Ballad Of John Henry

The Ballad Of John Henry
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Amazon Sales Rank: #989 in Digital Music Album Published on: 2009-02-24 Released on: 2009-02-24 Running time: 3855 seconds

Joe continues on the ‘Sloe Gin’ path…
I’ve been a huge fan of Joe Bonamassa since I discovered his music about 5 years ago. To this day, my favorite albums of his are 2003’s “Blues Deluxe” and 2006’s “You and Me”, his first work with uber-producer Kevin Shirley. Joe himself says that he considers “The Ballad of John Henry” to be his finest work to date. Whether you agree with that is going to depend on which ‘era’ of Joe’s music you prefer.
Joe Bonamassa in 2009 has come a long way from Joe Bonamassa circa 2000-04. At that time, he was a young guitar slinger. He played with a 3-piece band that showcased his absolutely jaw-dropping guitar skills at the forefront. Songcraft was secondary to musicianship, and not necesarily in a bad way. He simply relied more on taking older blues standards and interperting them in his fiery, high-octane style. In late 2005, he met producer Kevin Shirley (Led Zeppelin, Aerosmith, Journey, The Black Crowes, Iron Maiden) who was suitably impressed with Joe’s guitar skills and voice, but was convinced that to broaden his audience, Joe needed to work on more solid songcraft, polish his singing, and tone down the guitar heroics. Two friends and I were actually at the show in October 2005 where Shirley saw Joe play for the first time. (We accidentily stole his reserved table until a bar employee informed us we couldn’t sit there because Mr. Kevin Shirley was coming in! lol.)
His first offering with Shirley twirling the knobs was “You & Me” in 2006. I believe this (along with “Blues Deluxe”) is Joe’s finest work to date. It showcased all facets of Joe’s talent (raw blues, Jeff Beck-like instrumental excursions, 70s-British Zeppelin/Free style blues-rock), and the guitar soloing was still plentiful. He ditched his longtime band and replaced them with more seasoned studio musicians. Next up was ’07’s “Sloe Gin”. This record took the focus off Joe the guitar hero and went for a more song-oriented, laid-back approach. While it contained some great tracks and nothing on it was unenjoyable, what seemed to be missing was the spark, the boogie. Everything on the album was slow-to-mid tempo, only once (On John Mayall’s “Another Kind of Love”) did we see any sign of the hyper-shredding boogie monster that used to blow the doors off small clubs across the country with his 3-piece band, and even that track didn’t match the energy of things like his versions of “You Upset Me Baby”, “Travellin’ South”, “Burning Hell”, and “Never Make Your Move Too Soon”.
His new album “The Ballad of John Henry” continues on this path. The good news? It’s a better album than “Sloe Gin”. It’s less patchy and feels a lot more cohesive. Joe penned 7 of the 12 tracks himself (in the past typically only about 3 tracks per album were original compositions), and his songwriting is obviosuly developing under Shirley’s tutelidge. “John Henry” feels much more like a complete work than did “Sloe Gin”. However, with that progression comes another step away from the rollicking boogie blues monster that Joe was a few years back. Some of the longtime fans of this style are going to be disappointed at the slower tempos and the lack of fiery guitar histronics as compared to his early-mid 2000’s albums. And that’s my criticism of this record: he’s gone too far in the opposite direction. “You & Me” was so good because it straddled the line perfectly, allowing Joe to mature while still being what he is: one absolutely-fooking-amazing guitar player. Almost everything on “John Henry” plods along. The songs are long, slow, and heavy. While they’re all very good, the playing is fantastic, the band is tight, and Joe sounds like a million bucks, there’s something missing. You keep waiting to hear that up-tempo, fiery, bluesy boogie track that never comes. You’re looking for that blazing, 100 MPH guitar solo, and Joe honestly just doesn’t seem interested in doing that anymore. It’s almost as if he feels he took that genre as far as it could go. I admire him for not wanting to repeat himself and to mature as a musician, but I feel like if his next album continues this trend, he’s going to fall into a rut, which is exactly what he was trying to avoid a few years ago. He felt like he was stagnating, so he moved onto to a new producer and a new sound. Now he’s in danger of stagnating with THAT sound. Kevin Shirley has taken him a long way, but it may be time to look for another new producer when it’s time to record “John Henry”’s follow-up. All that said, “The Ballad of John Henry” is a very, very strong album, and any fan of Joe’s or of the classic blues-rock genre in general will certainly find a lot to like. Old school fans looking for blazing guitar work a la “Blues Deluxe” and “Had To Cry Today” may be somewhat disappointed, so be warned. Fans of “You & Me” and especially “Sloe Gin” will eat this up.

BLUES BOY GROWS UP
Joe B. has become somewhat of a polarizing figure in the blues community.
Does his brand of blues infused rock help broaden the blues genre or does this music often times have little or nothing to do with the blues? Probably a little of both. For all intents and purposes this is his niche. Some slow blues, shuffles and bombastic arena rock. Some interesting covers like the Tom Waits tune Jockey Full Of Bourbon. What sets this man apart from the rest is pretty simple… He’s IMMENSELY TALENTED! The title cut may lean more toward progressive rock, but it sounds great! All seven originals are quite good especially the tight and crisp Lonesome Road Blues. Blues Deluxe will always remain my favorite disc however, this just might be his most well rounded effort. He is what he is. A guitar virtuoso and an ever improving singer-songwriter. Is this Blues? You be the judge.

Joe Just played for me In his hometown!!!
Wow Is all I can say. I seem to agree with most people. My 2 favorites are at #1 “You & Me” then “Blues Deluxe”.
And “Slow Gin” certainly was slow and patchy.
But I think he’s back on the right track here. He did several tracks from this new CD Live tonight. All were blistering , had much more crafty songwriting. And I think he Is headed In that new direction only I’m liking It.
Two of my highlights from the “John Henry” CD are 9) Funkier Than a Mosquito’s Tweeter” which has that blistering guitar some other reviewer was looking for with a great upbeat song WITH HORNS.
And the track that follows It for Blues “The Great Flood”
I will always like the Joe that reminded me of Led Zeppelin songs I never heard. Opened me to some good music. I should give 5 stars but “You & Me” Is still better so 4 stars. But If your a blues fan Really get going save your lunch money and buy this CD. You’ll not regret It.
He really should be invited to play at Claptons Crossroads festival!!
But for all I know he has.
But my hats off for a over 2 hour straight performance at The Landmark In Syr tonight. Thanks Joe
What you need to know as a buyer-he has the best songwriting ever yet No downside to me. Still Smoking on this CD

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My Way (Remastered) [The Frank Sinatra Collection]

My Way (Remastered) [The Frank Sinatra Collection]
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Amazon Sales Rank: #2060 in Digital Music Track Released on: 2010-02-19 Running time: 276 seconds

Inspiring song
It’s a great inspiring song. It’s your life so live is your way right?
Here is a line from it, “For what is a man, what has he got?, if not himself than he has not, to say the things he truly feels, and not the words of one who kneels” Pretty cool right?

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